It is Paris in the 1920s, that frothy heyday between the World Wars. Hidden among the opulent cabarets, cafes, and theaters, a mad scientist toils away in his own private hospital, illegally performing grotesque experimental head transplants and reanimations on bodies stolen from the morgue. Under the tutelage of the disembodied head of a former colleague, the madman is well on his way to presenting the first-ever human head transplant to the scientific community, thereby achieving professional glory and securing his legacy as the greatest scientific mind of his generation. However, when one of his test subjects escapes, he risks being exposed to the authorities as a deranged criminal, before he has a chance to prove that he is exceptional and above the law. Can he find her before she alerts the police? Can he replicate the experiment before his illegal laboratory of living heads is discovered? Will his staff remain loyal as the pressure to save themselves builds?
In the early days of the Soviet Union, a mad scientist (Prof. Preobrazhensky) implants a human pituitary gland into a stray dog (Sharik) and accidentally turns him into a man. In Heart of a Dog, Mikhail Bulgakov uses this fictional experiment as a metaphor for what he sees as the failures of the Russian Revolution and communist Bolshevik government. Just as the professor’s unruly experiment upends his life, Bulgakov suggests, the Bolsheviks destroyed Russian society through their unruly communist experiment in social equality.
As the turbulent years following the Russian revolution of 1917 settle down into a new Soviet reality, the brilliant and eccentric zoologist Persikov discovers an amazing ray that drastically increases the size and reproductive rate of living organisms. At the same time, a mysterious plague wipes out all the chickens in the Soviet republics. The government expropriates Persikov's untested invention in order to rebuild the poultry industry, but a horrible mix-up quickly leads to a disaster that could threaten the entire world. A poignant work of social science fiction and a brilliant satire on the Soviet revolution, it can now be enjoyed by English-speaking audiences through this accurate new translation. Includes annotations and afterword.
Written in 1920, premiered in Prague in 1921, and first performed in New York in 1922--garnered worldwide acclaim for its author and popularized the word robot. Mass-produced as efficient laborers to serve man, Capek's Robots are an android product--they remember everything but think of nothing new. But the Utopian life they provide ultimately lacks meaning, and the humans they serve stop reproducing. When the Robots revolt, killing all but one of their masters, they must strain to learn the secret of self-duplication. It is not until two Robots fall in love and are christened "Adam" and "Eve" by the last surviving human that Nature emerges triumphant.
Sasha Samokhina has been accepted to the Institute of Special Technologies. Or, more precisely, she's been chosen.
Situated in a tiny village, she finds the students are bizarre, and the curriculum even more so. The books are impossible to read, the lessons obscure to the point of maddening, and the work refuses memorization. Using terror and coercion to keep the students in line, the school does not punish them for their transgressions and failures; instead, it is their families that pay a terrible price. Yet despite her fear, Sasha undergoes changes that defy the dictates of matter and time; experiences which are nothing she has ever dreamed of . . . and suddenly all she could ever want.
By pure chance, scientists detect a signal from space that may be communication from rational beings. How can people of Earth understand this message, knowing nothing about the senders--including whether or not they even exist? Written as the memoir of a mathematician who participates in the government project (code name: His Master's Voice) attempting to decode what seems to be a message from outer space, this classic novel shows scientists grappling with fundamental questions about the nature of reality, the confines of knowledge, the limitations of the human mind, and the ethics of military-sponsored scientific research.
Further Reminiscences of Ijon Tichy by Stanisław Lem (Poland)
Ijon Tichy, Lem's Candide of the Cosmos, encounters bizarre civilizations and creatures in space that serve to satirize science, the rational mind, theology, and other icons of human pride. Line drawings by the Author. Translated by Michael Kandel. A Helen and Kurt Wolff Book
Memoirs of a Space Traveler follows the adventures of Ijon Tichy, a Gulliver of the space age, who leads readers through strange experiments involving, among other puzzling phenomena, faulty time machines, intelligent washing machines, and suicidal potatoes. The scientists Tichy encounters make plans that are grandiose, and strike bargains that are Faustian. They pursue humanity's greatest and most ancient obsessions: immortality, artificial intelligence, and top-of-the-line consumer items.
by Stanisław Lem, illustrated by Jon J. Muth (Poland)
Alone in his broken spaceship-with no one there to help him-he could remain trappedin space indefinitely!But soon something strange begins to happen: Tichy's past and future selves appear. And rather than helping one another, they bicker and fight as they crowd into the tiny vessel.Will Tichy stop fighting with himself long enough to save his own life?
When psychologist Kris Kelvin arrives at the planet Solaris to study the ocean that covers its surface, he finds himself confronting a painful memory embodied in the physical likeness of a past lover. Kelvin learns that he is not alone in this and that other crews examining the planet are plagued with their own repressed and newly real memories. Could it be, as Solaris scientists speculate, that the ocean may be a massive neural center creating these memories, for a reason no one can identify? Long considered a classic, Solaris asks the question: Can we understand the universe around us without first understanding what lies within?
A spectacular insight into life in the Soviet Union in the late 1960's made all the more intriguing by its setting within the Sovet Republic of Kyrgyzstan. The story explores Soviet life, traditional Kyrgyz life and life on planet Earth through a Science Fiction story based around an alien nations plundering of the planet for life giving herbs. The author reveals far sighted thoughts and concerns for conservation, management of natural resources and dialogue to achieve peace yet at the same time shows extraordinary foresight with ideas for future technologies and the progress of science.
The book is set in Ukraine after a war with Russia. A man has lost his memory because the Russian military have used his brain to control military satellites. He regains consciousness in a mysterious hospital-like building and begins a pilgrimage to find his past. He journeys to Kaharlyk, a town where time has stood still following the testing of an experimental weapon. The book is an Odyssey as magical as Alice's tumble through the looking glass or Gulliver's first footprints on the sands of Lilliput. Kaharlyk has featured in Index on Censorship, The Guardian and many other publications.
Nothing is what it seems. What appears to be human is actually a shell occupied by an alien spirit, or demon, and what appears to be an unassuming plant is an aggressive parasite that harbors a poisonous substance within, or manifests itself as an assassin, a phantom with no real substance who pursues his victims across Europe and through a post-apocalyptic Prague ravaged by floods. The blind see, and the seeing are blind. Plants behave like animals, and animals are symbionts with plants. Through these devices, Šindelka weaves a tale of three childhood friends, the errant paths their lives take, and the world of rare plant smuggling — and the consequences of taking the wrong plant — to show the rickety foundation of illusions on which our relationship to the environment, and to one another, rests. It is a world of aberrations, anomalies, and mistakes.
Two hundred years after civilization ended in an event known as the Blast, Benedikt isn't one to complain. He's got a job--transcribing old books and presenting them as the words of the great new leader, Fyodor Kuzmich, Glorybe--and though he doesn't enjoy the privileged status of a Murza, at least he's not a serf or a half-human four-legged Degenerator harnessed to a troika. He has a house, too, with enough mice to cook up a tasty meal, and he's happily free of mutations: no extra fingers, no gills, no cockscombs sprouting from his eyelids. And he's managed--at least so far--to steer clear of the ever-vigilant Saniturions, who track down anyone who manifests the slightest sign of Freethinking, and the legendary screeching Slynx that waits in the wilderness beyond.
In a glass-enclosed city of perfectly straight lines, ruled over by an all-powerful "Benefactor," the citizens of the totalitarian society of OneState are regulated by spies and secret police; wear identical clothing; and are distinguished only by a number assigned to them at birth. That is, until D-503, a mathematician who dreams in numbers, makes a discovery: he has an individual soul. He can feel things. He can fall in love. And, in doing so, he begins to dangerously veer from the norms of his society, becoming embroiled in a plot to destroy OneState and liberate the city.
(Only available in digital, but free format from Tor Publishing)
Citizens are distraught to learn of the latest decree from their leaders: each person is to be evaluated as to whether they deserve to live. Those found “unnecessary for life” will be asked to “leave life within 24 hours.” Panic is alleviated when citizens learn that Ak, “a luminous person,” will be in charge of the panels that are to evaluate citizens. Surely, only the “human rubbish” would be eliminated.